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Indeed, according to Wikipedia, Carlos is the longest-serving prisoner in Argentina.

The film portrays Carlos and RamГіn as loveable rascals, which is disappointing as they were, in fact, real people (the character of RamГіn being inspired by a differently-named accomplice of Carlos). These expeditions often involve Carlos shooting someone dead. At reform school he meets older boy RamГіn, and the pair soon start a campaign of burglary (sometimes accompanied by RamГіn's father, a career criminal). In early 1970s' Buenos Aires, Carlos is a baby-faced teenager with a cat-burglary hobby, a taste for danger and little consideration for anyone other than himself. If I forget that this is a semi-biographical film, В«El ГЎngelВ» is nothing more than a standard and inconsequential little film that once again shows the creative jam of Argentina's mainstream cinema. The film, in short, embellishes the life of the delinquent Carlos Robledo Puch, the 'thief with a woman's face' capable of seducing police officers and sets his criminal activities in jewelry shops, gun shops, old retirees' mansions or homosexual art collectors' apartments, when in reality Robledo mainly robbed and killed in hardware stores, bars, supermarkets and car agencies.

The film prefers to maintain a constant homoerotic tension between the two men, and introduces an implausible relationship with two female twins. All the while, the script plays with his sexuality, but it evades the graphic in his relationship with a school mate (Chino DarГn, who looks too old to be a high school student, that evolves from student to petty thief, to hustler and, suddenly, to aspiring television star) and omits Robledo's notorious kidnappings, rapes and murders of women. There are a couple of torture threats made by police officers, or checkpoints, but little more is said about the dramatic panorama in which the young Robledo lived, stole and killed. In this portrait of Carlos Robledo, there is no connection to the Argentine socio-political and economic crisis of 1971, when the country was subjugated by the first of the dictatorships that have harassed that republic, and insurrections and guerrillas had increased. In fact, this 'invention' that Ferro interprets (very well, it must be said, considering that he had no acting experience) seems like a rational boy, aware of his capacities and qualities and with a not-too-hidden emotional streak, that easily surfaces in several scenes, when it is the turn of melodrama.

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The script paints him as a cute psychopath, but does not give us clues or evidence of his maladjustments, concentrating instead on the full lips of Guillermo Ferro, the actor who plays him. The real life of Carlos Robledo Puch, as anyone can read in the annals of Argentine crime (via the internet), was more violent, morbid and marginal than what is described in the film. But what В«El ГЎngelВ» omits is grave, only to sell us the pretty face of a young actor, put the killer's sexuality on the front page and emphasizes (a bit too much) his ambiguity, since the affairs of theGBTQ+ community are fashionable, and the unrepentant Pedro AlmodГіvar is listed among the producers.

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В«El ГЎngelВ» is a gruesome, morbid and prudish film, which does not confront what it proposes nor does it portray what it suggests, turning the best-known serial killer in the criminal history of Argentina into a young boy with voluptuous roundness, who enters and leaves the houses of the rich and businesses with ease, who kills in cold blood and carries out robberies Г la carte. Other than that, 'El Angel' is a good movie.

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The movie includes a repulsive and unexpected shot of an old man's wrinkled, hairy scrotum hanging out of his boxer shorts.

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Carlos is apparently a crack shot the first time he has to handle a gun. His shootings seem to happen out of his control, especially in one scene that seems quite unrealistic. He kills like a true psychopath with no emotion whatsoever, nor does he hesitate or even think about what he is doing. A friendship leads to a local criminal who provides him with guns, and soon Carlos isn't just robbing people. He walks through other people's homes as though they are his own if anything, he seems more at ease there than in his own home. He has a baby face and a head of curls and seems wide eyed and innocent. In this film, Puch is a habitual thief who seems incapable of remorse, or even perhaps any other emotion. Its soundtrack, of Spanish rock songs, is also fantastic. It is set in the seventies and feels eminently authentic. 'El Angel' is a consistently watchable crime thriller/case study of the real-life Argentine serial killer Carlos Puch.

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